Raffles Milano Istituto Moda e Design
PRD
RM服装与设计学院硕士课程

产品设计

建立,颠覆,重建立
收获丰富的十个月。十家业内知名机构将轮流为学生上课,每个机构与学生共处一个月的时间。在这十个月内,学生可以与十位大师面对面交流,从实践中得到宝贵的学习机会。Raffles Milano的硕士课程:终于有人将它推出了。
学制
10个月
小时
820
开始时间
二月
语言
英语

课程负责人

Marc Sadler
工业设计师
Marc Sadler是一位出生于奥地利的法国公民,作为一名设计师,他曾在法国,美国,亚洲和意大利生活和工作过。他是巴黎高等装饰艺术学院Esthétique industrielle(工业美学)专业的首批毕业生之一,他的毕业论文研究方向为塑料学,他也是开展不同材料和技术之间污染实验的先驱,而如今,这正是他的作品的独特之处。七十年代初,他设计了第一款由100%可回收热塑性材料制成的滑雪靴,由意大利公司Caber(后来成为Lotto)工业化生产。凭借其出色的性格,他如今已成为许多行业公司的顾问。他的作品曾 4 次获得工业设计协会 ADI 公司授予的 Compasso d’Oro 奖项( 1994 年、2001 年、2008 年和 2014 年)。他为Dainese设计的背部保护装置在纽约现代艺术博物馆的永久收藏中展出,而他为Foscarini设计的Mite灯可以在巴黎蓬皮杜艺术中心的设计系列中看到。他对绘画和素描充满热情,认为这是他此生的挚爱兴趣。

为什么?

为什么一些设计项目似乎具备了一切成功的条件却最终无法通过市场测试?这个世界上是否存在着成功秘诀?答案是否定的:没有万无一失的成功配方,只有努力的人才,通过精湛的设计方法去理解这个世界的复杂性,从而设计出适用于这个世界的解决方案。还有坚韧的精神,细微的分析和日复一日的学习:这些才是真实存在的成功秘方。

职业机会

本硕士课程旨在为学生提供一套完善的工具和技能,让他们能够在广泛不同的产业里设计出优秀的产品。

课程为谁而设

该课程面向设计和建筑专业的毕业生,以及那些想要拓宽自我审美视野的年轻设计师、建筑师和从业者。

他们注定是未来创意设计的推动者和参与者,他们将会在不同的公司、建筑办公室、设计办公室、研究小组、主要的全球组织以及我们今天无法想象的领域中创造他们的设计作品。

课程安排

参加本课程的学生将有机会根据不同类型的客户和利益相关者去体验不同的设计方法。这种基于研究的设计更加的积极化,且有机会探索出不同寻常的,具有建设性的解决方案。当设计专注于执行层面时,设计师将化身为商人,提供的解决方法既能适用于传统的生产方案,又带着一抹亮眼的个人特色。另外,在确保可行性的前提下,颠覆性设计也为个人纯粹的创造力提供了更大的发挥空间。

 

话题

-新材料和新表面的开发

-新美学和新图形的开发

-新产品和新分销模式

-新产品前沿:游牧产品

-新生产前沿:3D打印的变化

年度最佳学生

RM会在每学年结束时给每个专业的年度最佳学生颁发奖项。 学生的学术成绩由内部教授委员会进行考核,而作品集则被匿名交给外部专业评审团进行筛选。如果一个班级由20位学生组成,其中被内部和外部评委同时评选为年度最佳的学生,不仅可得到RM的官方认证,同时也可享受该年学费全额报销的优惠政策。

支持

为了让我们的教学模式更加的丰富且有效,课程将由以下两大类老师为学生展现:

ADI
Associazione per il Disegno Industriale

项目老师

从业界老师那儿获取知识意味着从源头萃取最先进的愿景与方式。相对比传统硕士课程,Raffles Milano的硕士课程将更侧重于将实践知识直接带入课堂:十位业界顶尖的设计师将在十个月的期间内轮流为学生们上课。每位设计师将与学生共处一个月。其中8个月是每月四周,另外两个月则是每月三周。每周学生将有两天时间与设计师共处,其中一天是六小时,另一天则是八小时。在每个月末,项目老师会为学生的项目进行评分。在这期间,一些设计师有可能被替换,但是替换教师必属于相同等级的业界领先人物,因此学院的国际师资水平保持不变。

Frog Design
设计工作室
Mario Trimarchi
建筑师 / 设计师
Setsu & Shinobu Ito
设计师
Established in 1997 by Setsu and Shinobu Ito, the Studio Ito works in the areas of architectural, interior, space, product, industrial and packaging design. One of the characteristics of this office is its ability to partner with international architects and designers who specialise in specific areas. Setsu Ito graduated from the University of Tsukuba and learned the profession working with Alessandro Mendini and Angelo Mangiarotti at Alchimia. Shinobu Ito graduated from the Tama Art University in Tokyo and has worked with CBS Sony. The office has won numerous international design awards, including the ADI Compasso d’Oro Award in 2011 and the IF Design Award in 2015. Many of the designs created by the office now feature in the most prestigious permanent collections, including the Triennale Design Museum in Milan and the Neue Sammlung International Design Museum in Munich Monaco. The two architects have held courses and workshops at the Polytechnic in Milan, the IUAV University in Venice, and the University of Tsukuba.
Makio Hasuike & Co.
设计工作室
Born in Tokyo in 1938, Makio Hasuike graduated in Industrial Design from the Tokyo University of the Arts in 1962, then spent one year gaining professional experience at home in Japan before moving to Italy. In 1968, he founded his own industrial design office in Milan, one of the first in Italy. In 1982, he embarked on the experimental MH Way project, with which he has launched a series of innovative products onto the market. In the course of some forty years, he has developed design projects and partnered with great Italian and foreign firms, contributing to their success with design solutions that stand out for their innovative aesthetics and contents. His designs have won several prestigious awards and acknowledgements and continue to be shown in exhibitions and museums, including the MoMA in New York. In 2016, he received the ADI Compasso d’Oro Career Award. He is a member of the Founding Committee of the Masters in Strategic Design at Milan Polytechnic.
Yossef Schvetz
设计师
After working in research and development in the aeronautics industry, Yossef Schvetz studied Industrial Design at the Holon School of Design in Israel. This led him to start working as a designer and theatre designer and in 1996 he was one of the co-founders of Nekuda DM, one of the leading industrial design offices in Tel Aviv. At the same time he also lectured at the Vital & Shenkar Schools of Design, conducting his courses with an experimental methodology of user-centred ethnographic research. In 2000, he moved to Italy to attend a Masters course, which he then followed up with a long career with Flex (previously Flextronics), the world’s largest company operating in the field of services for electronic manufacturing, where he worked with such clients as Nokia, Ericsson, HP and Johnson & Johnson. In 2004, he was one of the founders of the Milan-based studio Frog Design. In 2010, he went back to Flex as Design Manager, expanding the division’s scope of activities to encompass holistic user experience and related field research, as well as innovation in the area of wearable technologies.
jozeph forakis ... design
设计工作室
Jozeph Forakis is the creator of some of the most iconic product designs of the last twenty years, such as the Havana lamp for Foscarini, now in the permanent collection at the MoMA in New York, the Mouseman Pro mouse, the first to adopt a vertical ergonomic concept and a thumb button, and the Swatch Irony Scuba 200 watch. Forakis is recognised for his innovative use of materials and his interest in interactive technologies. Born to his calling, his designs reflect his family background in the arts and theatre, in particular his experience as a theatre stage and lighting designer in New York. From 1999 to 2002, he was Design Director with Motorola, leading the team that designed the V 70 mobile telephone. The Joseph Forakis studio has offices in Milan and New York and works for such international clients as Epson, Fujitsu, Haier, Kikkerland, Normann Copenhagen, LG Electronics, Magis, Samsung, Swarovski, Tecno and Yamaha Motors. In 2004 ADI, the Italian Association for Industrial Design, dedicated a one-man show to him in Rome and New York, the first it had ever organised for an individual designer.
Motoki Yoshio
设计师
A graduate of the IED(European Institute of Design) in Turin in 2001, obtained his Masters in Transportation-Interface Design at the IED in Madrid an Turin in 2002. He has collaborated with numerous companies and design studios including Pininfarina, Ferrari, Motorola, Fizik, Frog Design and Flextronics. Since 2006 he has been teaching at the IED in Turin and Milan. In 2011 he opened his own design studio which is involeved in Product and Transportation Design.
Studio Gecchelin
设计工作室
Studio Gecchelin was funded by Bruno Gecchelin in 1976. Lorenzo Gecchelin, after obtaining a degree in architecture at the Politecnico di Milano, embarked on a professional experience outside Italy and then joined his family’s design firm in 1997 as an associate. Gecchelin currently manages the firm. He has collaborated with various national and international brands, such as: IGuzzini illuminazione, Ivela, Reggiani, Raat, Kelvin Italy, Aermec Sierra, and Whirlpool. In 2002, he won the ADI Compasso d’Oro for the Latina citrus juicer produced by Fratelli Guzzini. His background as an architect and his strong interest in all aspects of creativity and technology have granted him a multi-disciplinary view that ranges from interior to graphic design, from photography to illustration. He matured teaching experiences in various institutions in Milan (among which are the Politecnico di Milano and IED) before joining the RM faculty.
Zooi Lab
模式制造商
Zooi Lab is the modeling laboratory founded and directed by Mindert De Koningh. Mindert De Koningh was born in Haarlem, in the Netherlands, in 1958 and started working as a model maker after completing his studies. Working side by side with young Dutch designers sharpened his interest in everything related to industrial design, in due course leading to his decision to move to Milan in 1990. Meanwhile, in 1997, he founded Zooi and opened a workshop in via Savona. He attended both on teaching activities and on the production of prototypes for the students reading for Masters degrees in Industrial Design and in Fashion Design, his path crossing with those of many of the great names that animated the Milan design and art scenes. His work can be classified under two major headings: prototyping and building models and mock-ups for designers, firms and agencies working in all sorts of different industrial sectors; and consultancy and technical support services for artists in executing their works.
Giulio Vinaccia & Partners
设计师
Born in Caracas in 1957 to Italian parents, Giulio Vinaccia moved to Italy in 1985 and spent the years from 1997 to 2012 working with his brother Valerio in the area of industrial design, while also starting to take an interest in social design in his native Colombia in 1993. From 1996 to 2002, he worked with SEBRAE, the Brazilian Support Service for Small and Medium-Sized Enterprises, developing a dozen projects of design for craftsmanship in several communities of Brazil. In 2004, the Spanish government commissioned him to carry out a project to study the iconography of the Camino de Santiago. He subsequently worked to flank communities in critical condition in Sweden, Canada, Afghanistan and Egypt. Since 2009, he has been working with the development programmes at the UNIDO – United Nations Industrial Development Organisation – in China, Haiti and the five Caribbean states, Pakistan, Madagascar and seven southern Mediterranean countries. In 2015, he won the World Green Design Contribution Award and in 2016, together with UNIDO, the ADI Compasso d’Oro Award, the first one every presented in the award’s history to the category of social design.
Danilo De Rossi
设计师
I have always been looking for a design that gives light to architectures. With firms of the sector, as a lighting designer and creative director, I develop the creative project and harmonize it with the industrial process, to create in glass and light. During my working experience I practiced architecture, graphics, interior design and industrial design. What thrilled me the most was glass and lighting. A real revelation that brought me to learn how to elaborate, design and invent with glass and light. I graduated from the Venice Institute of Architecture. I continued the studies at the Polytehnic University of Milan where I learned the design aspects of lighting. From that moment my goal has become the pursuit of efficiency of light, as a result of the beauty of the industrial product. Therefore I learned how to use production and engineering at their best for industrial decorative lamps.

方法/理论老师

一些理论知识和方法需要时间的积累,因此便有了理论老师的需求,为学生进行量身定制的知识辅导,因为基础理论终会有其用武之地。
出于这个原因,学生们将在十个月内与理论老师共度200个小时的课程,而这些课程将被分散在十个月内。在这期间,一些老师有可能被替换,但是替换教师必属于相同等级的业界领先人物,因此学院的国际师资水平保持不变。

Mishael Tzoreff
设计师
Anna Santi
研究员
Graduated in Architecture at Istituto Universitario di Venezia, she holds a Ph.D. in Design for Cultural Heritage at Design Department of Politecnico di Milano. She carries out multidisciplinary researches on design, art and architecture focusing on the enhancement of the heritage through digital archives and tools, to foster novel learning models. She has been involved in research projects at academic and institutional level, dedicated to curatorship, coordination and organization of exhibitions, workshops, conferences and cultural events. She also writes on design, art and architecture, for blogs and online magazines.
Alice Barki
工业设计师
An industrial designer, Barki graduated in Industrial Design at NABA, and then continued her studies at the Università Elisava in Barcelona. Winner of various Design contests, she exhibited her works at the Power Power Station of Art in Shanghai, at the Salone del Mobile and at the Fuori Salone in Milan. Parallel to her professional activity she is also active in academic life, where she teaches digital modelling techniques and interaction design. In the world of design, she is mainly interested in product design, graphic design and 3D modelling. The latter, in particular fast prototyping, has allowed her to develop projects and collaborations with various companies, among which are DWS Systems and Zortrax, in the field of 3D printing design, and to exhibit her works at the CES in Las Vegas, Formnext (Frankfurt), at the Mecspe (Parma) and Maker Faire in Rome. She writes articles and is a speaker at conferences and seminars on the union between fast prototyping and Design.
Marta Bernstein
平面设计师
Bernstein studied Graphic Design at Politecnico di Milano and obtained a Master’s degree in Type Design at the Royal Academy of Art in The Hague (NL). She is partner of Tiemme, a multidisciplinary design and architecture firm. She is an expert in the creation and development of identity systems and in the design of signage systems and signage for offices and public spaces. Since 2007 she has been teaching graphic design, typography and type design in international design schools and universities (among other things, she is a teacher of Typography at Politecnico di Milano and visiting professor at the School of Architecture and Design, Universidad de Navarra, Pamplona). She collaborates with several publications and takes part in conferences in the field of type and has collaborated on «Italic 2.0 Contemporary Type Design in Italy» (DeAgostini 2008).
Carlo Forcolini
设计师
Born in 1947, Carlo Forcolini graduated from the Brera Academy of Fine Arts in Milan in 1969. From 1975 to 1979, he worked with ICF De Padova, while at the same time he started to work with Vico Magistretti, one of the great masters of Italian design. From 1978 to 1984, he lived in London, where he was one of the founders of Alias and became Director of Artemide GB. In 1992, he founded Nemo and in 1999 Forcolini.Lab, followed in 2005 by Oylight. Over the years, he has designed for Amar, Cassina, BBB Bonacina, Luceplan, Luci Italia, Gervasoni, Joint and Pomellato. From 2001 to 2007, he served as President of ADI, Associazione per il Disegno Industriale, and in 2007 was appointed a member of the Consiglio Italiano del Design. From 2009 to 2014, he was, in this order, CEO, then Vice-President and finally Academic Director of the IED Group. His designs feature in the collections of the Cooper Hewitt Museum in New York, in the Museum of Decorative Arts in Paris, in the Design Museum at the Milan Triennale and in the Collection of the ADI Compasso d’Oro Award. He has shown his work in exhibitions in Madrid, Los Angeles, London, Hamburg, Cologne, Tokyo, Sidney, Santiago, Moscow, Oslo, Naples, Milan, Toronto and Brussels.
Luigi Ciuffreda
建筑师
Born in 1981, Luigi Ciuffreda studied architecture and design at the École Supérieure d’Art et de Design in Orleans and at Milan Polytechnic, where he graduated in 2006 with a specialisation in museography and exhibition design for cultural heritage. From 2005 to 2007, he worked as an expert in the subject in the Interior Design workshops at the Milan Polytechnic Faculty of Design and, from 2013 to 2017, he lectured in design and exhibition design at the Milan Academy of Communication. He now operates in a variety of permutations of the field of design: product design, retail design, interior architecture an exhibition design. His more notable recent projects include the museographical design at the Lapidary Museum of Monte Sant’Angelo and the signage for the new NAS Arena stadium in Dubai. Since 2006, he has been a consultant with Buratti Architects, where he has collaborated on projects for B&B Italia, Fontana Arte, Living Divani, Poliform, Poltrona Frau, Porro, Tecno, Lamborghini, Ducati, Husqvarna, La Perla and Gebrüder Thonet of Vienna. Along with his professional activities, he devotes some of his time to personal research into illustration and graphic design.
Mark Salerno
设计师
After graduating in Industrial design in Melbourne, he moved to Milan to complete a Master’s degree in Car Design. Upon its conclusion, he worked for ten years as a freelancer in professional design firms, combining his activity as a designer with teaching. Salerno has designed for Sony, Chicco, Fiat, Ferrari, Indesit, Argotractors, Luxottica, Piaggio, Pirelli, Microsoft, and others and has obtained several patents and awards. He is currently senior Industrial Design Specialist at BTS Design Innovation, has taught more than 500 students in Master’s and pre-Master’s courses at university level. He strongly believes in harmonising several disciplines and interests in the attempt of making the world a better place through design.

公司和品牌

经过近三十年的发展,Raffles Group与多家知名企业和品牌建立了合作关系,邀请他们合作参与学校的三年制和硕士课程。学院与这些享有盛名的商业伙伴建立起的深度合作关系有效促进了学界和商界之间的沟通。

阿迪达斯,爱格纳,铂傲,宝诗龙,兄弟,宝格丽,博柏利,C&A,卡地亚,香奈儿,珂洛艾伊,新加坡设计行业总商会,迪赛,迪奥,杜嘉班纳,登喜路,Elle,芬迪, 富士,新加坡家具设计奖,阿玛尼,H&M,亨士,爱马仕,Hogan, 惠普,汇丰集团,宜家,洲际酒店集团,科勒,李尔公司,乐高,香港利丰集团,欧莱雅,路易威登,LVMH,Mahogany,Max Mara,新传媒,麦德龙,Michael Kors,微软,立邦涂料,诺基亚,乌节路商业协会,百事可乐,飞利浦,普拉达,彪马,拉夫劳伦,Redworks,历峰集团,劳力士,盛世长城,巴黎圣罗兰,三星,资生堂,西门子,新加坡家具产业协会,新加坡珠宝协会,索尼影视,渣打银行,Textile & Fash-ion Federation,蒂凡尼,华伦天奴,范思哲,Y&R,圣罗兰

周一会谈

在每个周一晚上6点30分,Raffles Milano会邀请一位设计界的风云人物来学校参加会谈。学生们可以趁此机会与专业人士进行沟通和切磋,听他们讲述自身的经历从而受到启发。这是一个不可多得的机会,与我们的专业课程相辅相成。以下是明年的会谈安排。

入学申请

学生可通过邮件发送入学申请表格(该表格可在学校官方网站下载)来申请入学,或者直接电话联系学校秘书处。学校在收到申请人的所有材料以及自荐信后,会设定一个与教科主任或校长(如有需要)面试的日期。如申请人被认定符合申请条件,他将收到一封正式的入学通知书,到时学生亦可选择接受或拒绝。

申请入学材料:
– 简历
– 艺术和/或专业作品集
– 自荐信
– 学校成绩单
– 课程或研讨会证书
– 英语水平证书
– 意大利或欧盟或欧洲贸易自由联盟区的公民需提供身份证或护照
– 100欧元申请费的付款收据

考生还可以将申请材料发送到电子邮箱:master@rm-modaedesign.it
如需了解更多信息,请填写“信息表”。

费用

如果在7月20号之前进行注册,可享受2000欧的折扣。

学生可在收到学校的官方录取通知书后进行报名注册。所有符合录取条件的学生在正式注册时需支付注册费,年度学费则需在课程开始前交付。
学生可以选择一次性付清年度学费,也可以在付完注册费和第一期学费后把剩余的学费另分两期支付:第二期学费必须在第一学期开始前支付,第三期学费必须在第二学期开始前支付。国际学生只有一个选项:需在支付注册费时同时一次性交清年度学费。

欧盟和欧洲贸易自由联盟区的学生
注册费:3.000欧
年度学费:12.000欧
非欧盟和欧洲贸易自由联盟区的学生
注册费:3.000欧
年度学费:16.000欧
申请费用
想申请入读硕士学位的考生需支付100欧元的申请费。

奖学金

RM每年都会为学生准备多个国际奖学金名额,让更多的意大利和国际人才可以入读硕士课程。奖学金的具体名额会分别在11月份和2月份的硕士课程开始之前,至少提前6个月的时间被公布在学校的官网上面

咨询信息
申请入学