RM Istituto Moda e Design
PHT
Master RM Istituto Moda e Design

Photography

New stories, new visions
Ten amazing months. Ten top-level international photography experts in the lecture theatre, one every month. Ten unique chances for learning by doing, elbow-to-elbow with the best. The Raffles Milano Masters: someone has come up with them at last.
Duration
10 months
Credits
60
Start date
November
Lang
English

Course leader

Alessandra Mauro
Journalist
Born in Rome, journalist, Alessandra Mauro has a degree in Literature. After the University, with a scholarship for the École des Hautes Études en Sciences Sociales in Paris, she studied ancient maps, travel memorials and how geographical information changes from writing to graphic representation. Back to Italy she worked for years in the editorial staff of the Sfera magazine before start, in the early nineties, working for the Contrasto magazine and, in general, dealing with exhibitions and photographic projects. She is Art Director of the Fondazione Forma per la Fotografia in Milan since its creation (2005) and Lead Director of the Contrasto publishing house in Rome. As curator she has conceived and organized several retrospective photographic exhibitions, including: William Klein - Roma, Mario Giacomelli - La figura nera aspetta il bianco, Mimmo Jodice - Perdersi a guardare, Gordon Parks – Una storia americana, Gianni Berengo Gardin e Elliott Erwitt - Un’amicizia ai sali d’argento, Walter Bonatti – Fotografie dai grandi spazi, Gianni Berengo Gardin – vera fotografia and many others presented in different museums and institutions in Italy, France, Germany, Japan, Korea, Sweden. As an Art Director of the Contrasto magazine, she has conceived and edited many important books, working closely with great authors such as Henri Cartier-Bresson, Sebastião Salgado, Richard Avedon, Herb Ritts, Teju Cole and many others. She teaches Photography at the DAMS of the University of Roma Tre, the LUISS of Rome and for Wikiradio di Radiotre has made dozens of episodes dedicated to great photographers. She collaborates with the Vatican Museums, Collection of Contemporary Art, for the creation of the photographic collection of the Museums. In this sense, one of the first and important parts of the commission-acquisition project was organized in the exhibition I Piena Luce. Nine photographers interpret the Vatican Museums, Milan, Palazzo Reale, May-June 2018. She is the author of the Photoshow volumes. Le principali mostre della storia della fotografia, 2014 (Italian edition: Contrasto; english edition: Thames&Hudson, chinese edition), Ombre di Guerra e Lo sguardo da sud (Napoli, L’Ancora, 1999).

Why?

Photography means providing a useful and interesting model of the world, one that helps us love reality by talking about it. To be a photographer is no longer a craftsman trade. Digital technology forces him to shrug off the obsession with the technique in favor of a mindset increasingly related to the ability to see, to interpret and to narrate.

Professional opportunites

Photographers have to be active, effective and conscious interpreters of the contemporary world. That is why the lectures are built around a lifelong education approach. Our lecturers are experienced, skilled and great at their work: this ensures that our students will receive high-profile training, culminating in the possibility of them finding professional placement in various areas of visual production, communication and image, both in Italy and internationally, from still & motion and storytelling to advertising and corporate fields.

Who should attend

This Masters is designed to suit the needs of everyone who wants to learn and develop the themes of contemporary photography, transforming a passion into a profession. In particular, it is designed for students aiming to (re)define and (re)position themselves professionally, to keep abreast of today’s developing contexts. Who are the photographers of the future (and of the present)? They are people with the skills, abilities and critical awareness it takes to tackle the enormous scene of contemporary production without any hang-ups and to launch an independent, continuing and successful business of their own.

Curriculum

Working side by side with the professionals who lead in today’s market, our students acquire a fully rounded appreciation of the new approaches to designing an identity, a reportage, advertising campaigns and corporate communications. This Masters focuses on tangible experience with real assignments proposed by firms and institutions. A vital part of the curriculum is devoted to how the market for collecting, publishing and fine art functions. It does this by putting together a personal portfolio, the first step towards establishing relations with international galleries and curators.

Topics

– Context of Italian and international photography
– Collecting and fine art
– Creativity and design process in photography
– Advertising and corporate communications
– Beauty and portraiture
– Landscape and architecture
– Focus on storytelling
– Organising and curating exhibitions and events
– Compiling a portfolio
– Digital technology for creativity

Student of the Year

At the end of each academic year, RM rewards the best talent of every course and every year. The award is given to the student who has distinguished him- or herself in terms of his/her academic career and portfolio, according to the assessment both of an internal committee of teachers and of an external committee of professionals who are invited to assess the portfolio (the student’s anonymity is protected). If the class in question is composed by 20 students, the award for Student of the Year includes both RM’s official acknowledgement and the complete reimbursement of the winner’s annual tuition fee.

Endorsement

For the quality and effectiveness of its didactic model, this Masters course has been endorsed by:

AFIP International
Associazione Fotografi Professionisti

Project Lecturers

Learning directly from practitioners is the best way to pick up the most advanced visions and methods at source. Unlike conventional Masters, the Raffles Milano Masters bring hands-on knowledge direct into the lecture theatre, with ten market leader professionals occupying the lectern in the course of the ten months.
Each professional spends a month with the students. 8 four-week months and 2 three-week months.
Each week you will have a 6 hour day and an 8 hour day lesson with the experts.
At the end of the month, the student receives an evaluation on the developed project.
Some professionals can be replaced during the Master, with other top-level studios, maintaining the international Faculty’s standards.

Claudio Composti
Curator / Art director
Raised in the art world, he opened the Ca 'Di Fra' Gallery in Milan in 1997 with his father and sisters. In 2009 in Milan, with Vincenzo Maccarone, he founded the mc2gallery of which he is Art Director. Curator and private consultant for collectors, he is a talent scout for young photographers and organizes exhibitions of young Italian and foreign photographers of international renown - such as Antoine D'Agata, Jacob Aue Sobol, Michael Ackerman - in public spaces, photography festivals, italian galleries and international photography centers. He is Folio Reviewer in photography festivals such as the Vogue Photo Festival in Milan, the PhotoLux Festival in Lucca or Fotografia Europea in Reggio Emilia, The European Photographic Festival in Busto Arsizio and Les Rencontres d'Arles in France. In 2016 he founded Periscope Photoscouting, an online consulting platform for emerging photographers or artists who use the photographic medium.
Franco Pagetti
Photographer
He works on long term independent project using photography and video. Member of VII photo Agency in NYC, he has devoted himself to the study of social issues, exploring the relation between power and individuals, to give voice to the fragility of human nature. Over the course of his career, he has covered conflicts in Afghanistan, Kosovo, East Timor, Kashmir, Palestine, Sierra Leone, Democratic Republic of Congo, Lebanon, Colombia, Somalia, Southern Sudan , Egypt, Lybia and Syria. He was based in Iraq from January 2003 (three months prior to the invasion of Baghdad) until the end of 2008 as a contributor to Time Magazine. His works have brought him numerous awards. He regularly contributes for leading publications all over the world, and his projects have been presented as installations, exhibitions and screenings at festivals and galleries worldwide He is engaged with educational activities, regularly lecturing at universities and teaching workshops internationally. In 2012 Franco’s film for MSF was nominated for an Emmy Award together with other VII photographers. A Documentary regarding his work in Iraq, Shooting War, was screened in April 2017 at the Tribeca Film Festival in NYC.
Silvia Camporesi
Photographer
Graduated in Philosophy from the University of Bologna. Since 2000, through photography and video, her research has been moving on a fine line between imagination and reality, where the subject always establishes a relation with the natural elements and, at the same time, attempts to transcend the limits of the body and the mind. She often uses scale models to recreate real or imaginary places, which are then illuminated and photographed in her studio (as in the project The cities of thought). In recent years her research has focused on exploring the Italian landscape, with the publication of The third Venice and Atlas Italiae. Alongside the artistic career, she has dedicated her time also to the education activity and, for the past ten years, she has been leading the Conversation around photography, a series of talks with photographers and critics about contemporary photography.
Philippe Séclier
Journalist
A former journalist, Philippe Séclier has a passion for photography in all its forms. Art director for the daily Le Parisien in 2000, he became a freelancer in 2001 and published four books: Hôtel Puerto (2001), a long analysis on worldwide harbours, La longue route de sable (2005), following in the footsteps of the author and director Pier Paolo Pasolini, El camino de Tulahuèn (2014), following in the footsteps of the Chilean photographer Sergio Larrain and La jeune fille à la fleur (2017), a study on the famous photography of the French photographer Marc Riboud. He was director of two documentaries: one dedicated to Marc Riboud (2004), Instants d'année; the second, Un voyage américain (2009), inspired by Robert Frank’s book The Americans. He took part in the 60th anniversary of Magnum Photos in 2007 and has collaborated with the French photographer and director Raymond Depardon for fifteen years. He is also a curator: Autophoto was presented at the Fondation Cartier pour l'Art Contemporain in Paris in 2017 and Depardon USA at the Rencontres internationales de la Photographie d'Arles in Summer 2018.
Nicolò Degiorgis
Artist / Author
Academically trained as sinologist and professionally as photographer, he is an artist and author. He runs the publishing house Rorhof with his brother Michele, regularly teaches about photography and his art practice and occasionally curates exhibitions. He studied Oriental languages in Venice and Beijing and completed several international internships, scholarships and residencies, including in institutions such as Magnum Photos (Paris, 2007), Fabrica (Treviso, 2008), Bevilacqua la Masa Foundation (Venezia, 2009) and Rijksakademie in Amsterdam (2018). His work has been extensively exhibited in galleries and museums, while his books were awarded numerous prizes, such as at the Author Book Award (2014) and the Historical Book Award (2018) in Arles, the First Book Award at Paris Photo (2014), Gold at the German Photobooks (2014) and the Premio Bastianelli in Rome (2018).
Laurie Hurwitz
Curator / Writer
She is an American-born curator and writer based in Paris who has been working at at the Maison Européenne de la Photographie in Paris for the past fifteen years. There, she has curated or produced exhibitions on a wide ranger of artists and photographers including Bruce Davidson, Jacques Henri Lartigue, William Klein, Jim Dine, Bernard Plossu, David Lynch, Martin Parr, Elliott Erwitt, Irving Penn, Sarah Moon and Don McCullin; as well as conserving the museum’s collection of artists’ videos. She is also an art writer who has been the longtime Paris correspondent for ARTnews magazine and has also written on photography and contemporary art for catalogs and magazines such as Art & Auction, Arts, frieze, Metropolis, Connaissance des arts, artpress and Art in Print.
Enrico Bossan
Photojournalist / Curator
Bossan has been managing complex editorial projects for years, discovering young talents and guiding them in creative research. A photoreporter, his works have been published on top international magazines. He is the author of about ten photography books (among which are Pechino-Parigi, sulla strada con l’Italia, 1989; Exit, 1992 with Roberto Koch; Esodo, 2000, on terminally ill AIDS patients; èAfrica, 2003). Exhibition organiser and curator, in 2011 in New York he directed the Festival Hope Between Dream and Reality with Elisabeth Biondi. He has been a communication consultant of Medici con l’Africa Cuamm since 1998. Member of the faculty of Fabrica as head of the Department of Photography since 2005, since 2006 he is the editor in chief of Colors magazine and since January 2014 he has been in charge of the Editorial area. For Fabrica he has designed the FFF award, curated the exhibition 6x6 Women, staged a performance with the installation of Erik Ravelo’s Peace Dove in Tripoli. Since 2014 he has edited a series of books for Fabrica, as well as the multimedia projects Sciabica and Lok Sabha. He is also the editor of the collection of books Up to now, Fabrica Photography. Project leader of Imago Mundi and of the new exhibition space Gallerie delle Prigioni in Treviso, he has been a professor of Photography at the University of Padua and in various Master’s courses.
Lorenzo Meloni
Photographer
Professional full-time photographer since 2010, he focuses his work on the balances of power in the Middle East in the wake of western intervention, as well as its consequences on the civilian population. He has followed the Israeli-Palestinian conflict, Yemen’s rapid decline in 2010 and the Arab Spring. His first works were published by Time, L’Espresso, and Internazionale. 
In 2011, he joined Contrasto, a major Italian photographic agency. In 2015, he became a nominee member of Magnum Photos. He lived in the Middle East from 2012 to 2014, dedicating himself to long-term projects regarding the aftermath of the fall of Gaddafi in Libya, the conflict in Syria, and its spillover into Lebanon. Since 2014 he has covered the war against the Islamic State in Libya, Syria, and Iraq. His work has been exhibited in Italian and international festivals such as the Venice Biennale, Visa pour L’Image, Les Rencontres d’Arles, Boutographies and Fotoleggendo; and it has been featured in prominent international publications such as The Telegraph, Time, Le Figaro, Vanity Fair, Internazionale, L’Espresso, la Repubblica.
Erik Kessels
Communication expert
Class of 1966, Erik Kessels was born in the Dutch town of Roermond, near the Belgian border. He started his career working as an illustrator with Ogilvy & Mather Eindhoven and attending evening classes at the Academy of Fine Arts, then continued at the Kuipers & Schouten and the Chiat/Day agencies, the latter in London. In 1996, he and his creative partner John Kramer founded the agency KesselsKramer in Amsterdam, which now has a successful international reputation. In addition to his advertising profession, Kessels is passionate about photography, as a collector, curator, book publisher and magazine editor. His installation at the FOAM in Amsterdam made an unforgettable mark: invited to imagine an exhibition about the future of photography, he came up with the idea of materialising the horrendous flood of images that washes over us every day, showing a million images of all kinds and origins loaded onto Flickr in the course of just one day.

Method Lecturers

There are some kinds of practical and theoretical knowledge and abilities that cannot be learned overnight, but need tailored tutoring. You never know when you will need them, but one thing is certain: you will.
For this reason, the students have 200 hours of lessons with the Method Lecturers which are spread over the 10 months of the Master.
Some lecturers can be replaced during the Master, maintaining the international Faculty’s standards.

Giancarlo Vaiarelli
Photographer
He entered a darkroom for the first time when he was 13. After a period as an assistant photographer, he started his professional activity as a freelance photoreporter. Driven by his interest in high-quality black and white printing he moved to London to gain a deeper experience collaborating with three labs, after which he decided to move to the U.S. to his master and mentor Dick Arentz and to Print Zone in New York. After ten years spent abroad to continue his studies and experience on old photographic techniques he returned to Milan, where he first worked for some laboratories and later founded his own studios-labs (Studio Vaiarelli-Zone Five and Silverprint) before joining a professional and highly qualified team to create photography projects for Fine Art. He keeps travelling between the UK and the U.S. for work to keep up to date.
Gianluca Morretta
Lawyer
Fariba Farshad
Curator
Fariba Farshad is co-Founder with Michael Benson of Candlestar, a company that specialises in the creation and development of major new international cultural initiatives including the Conde Nast College, Gulf Art Fair (now Art Dubai) and the Prix Pictet. In 2015 Candlestar inaugurated the first edition of Photo London and in four years established itself as a key event in the international art world calendar. Fariba began her career at the London Institute (now the University of the Arts London), in 1991 when she took up the post of Principal Lecturer in computer design. In 1997 she spearheaded the development of the IT Research and Development Unit. As a curator and pioneer of creative education, she has been responsible for developing ground-breaking projects, which established the Unit as centre of excellence for the innovative use of digital media. This brought her many awards, including a Bafta nomination. She is renowned as promoter of the work of contemporary Iranian artists. Her ground-breaking exhibition Burnt Generation showcased life in Iran through the lens of eight major photographers, opened at Somerset House in 2014 and is still touring globally.
Gianluca Catzeddu
Photographer
After the Master in Professional Photography in 2001, he began his career as a photographer, realizing various advertising campaigns and catalogs. Since 2005 he becomes Adobe Certified Expert for Photoshop and he is part of AdobeGuru, the group of official experts in the field of Digital Imaging, performing throughout Italy software demonstration activities, seminars and various launches of Adobe products. He works as a digital photography teacher collaborating with some national associations and with various schools in Italy. As post-production he worked for three international advertising campaigns commissioned by the Contrasto agency for the brand "Jacob Cohen", working on the photos of Elliot Erwitt. He collaborates for the post production with the photographer Monica Silva, for works exhibited in September 2014 in Sao Paulo and for the EICMA 2016 advertising campaign. He edited the post-production of some images in the Red Bull Content Pool, shot by the photographer Mauro Puccini. With the same photographer he also collaborated in 2017 on the creation of a social campaign for ADIDAS.
Lorenzo Maccotta
Photographer
After graduating in Philosophy in 2005 with a thesis in Aesthetics at the University of Rome "La Sapienza", he attended a course at the Roman School of Photography and began his work as a documentary photographer. The first projects focus on the issue of immigration in collaboration with Médecins Sans Frontières - Italy; later he directed his work towards a personal research, remaining always adherent to contemporary topics, and in 2015 he started a long-term project aimed at exploring the impact of new technologies on global society titled How far_stories from the Internet. Represented since 2013 by the Contrasto agency, his works have been exhibited in museums and published in major national and international magazines and websites. In 2017, an excerpt from the work How far_stories from the Internet has been awarded at the Sony World Photography Awards in the Contemporary Issue category.
Mattia Zoppellaro
Photographer
Zoppellaro studied Photography in Milan from 1997 to 2000, and in 2003, after collaborating with the Department of Photography of Fabrica, he moved to England where he started shooting for various magazines and music labels. At the same time he carried out several personal projects, from social reportage (Irish Travellers, Kosovan Refugees, African Witch Hunters, Homeless People in Hackney, High-Security Prisons in North-Eastern Italy), to projects on local customs (Religious Ceremonies in Southern Italy, Sex Fair in Milan) and youth movements (European Rave Parties, Mexican Punk, Hip Hop Scene in Dakar). In October 2015 he inaugurated his solo exhibition Heroes? at the Outdoor Festival in Rome. In March 2016 he launched Scratches at the Traffic Gallery in Bergamo. In September 2017 he published his first book, Appleby, on Irish travellers, published by Contrasto. This project was showcased in Cortona On The Move in 2016 at Spazio Forma (2017), at the Portrait(s) Festival in Vichy (2018) and at the Traffic Gallery in Bergamo (2018). He has published his work on Rolling Stone, Vanity Fair, Sunday Times Magazine, Financial Times Weekend, El Pais Semanal, L’Espresso, D La Repubblica, Io Donna, GQ, Les Inrockuptibles, Mojo, NME, Sportweek, and Vanity Fair.
Valeria Moreschi
Curator and writer
After studying philosophy in Pavia and in Strasbourg and some experiences in publishing, she became passionate about photography. She began his professional career in FNAC where she held the position of Manager of the Photographic Galleries in Italy, from 2000 to 2014. She organized, in particular, the great exhibition of the FNAC Collection in Italy and the launch of the "Attention Talent Photographic Fnac" Award. Since 2015 she works for Fondazione Forma per la Fotografia in the prestigious headquarters in Milano as Manager of activities. Here she follows the organization of all projects aimed at the public of Forma: important photographic exhibitions (such as Vivian Maier, Robert Frank, Sebastião Salgado), meetings with authors, teaching, projections and special projects. She collaborates also with Contrasto, one of the most important publishers of books and publishing projects dedicated to photography. She has been a member of the jury in many photographic awards and portfolio review. Specialties: photography, management, logistics, customer relations, editing, marketing, production, public speaking, seminars, supervisory skills, writing.
Alessia Paladini
Curator and writer
After the degree in History of the English Theatre at Università degli Studi di Milano, she works in the Contemporary Art Department of Sotheby’s auction house. From 1998 until 2005 she is gallery director of Photology, in 2005 she starts collaborating with Contrasto Group, where she created the printroom dedicated to photography collecting, Contrasto Galleria, of which she is director as of today. She curated many photographic exhibitions, both of established and emerging artists, such as Mario Giacomelli, Sebastião Salgado, Irene Kung, Massimo Siragusa, Alessandro Imbriaco, Kenro Izu, Gianni Berengo Gardin, Piergiorgio Branzi, Elliott Erwitt, Alex Webb, Bill Armstrong, Janet Sternburg. With Contrasto Galleria she participates in the most important art fairs like Paris Photo, Photo London, Arte Fiera Bologna. She collaborates to the exhibiting program of Leica Galerie Milan and is a regular lecturer of portfolio at Fotografia Europea Reggio Emilia and Photolux Lucca festivals. Her approach to photography is focused on the collecting area, which has specific and peculiar parameters and criteria.
Roberto Koch
Photographer
At a very young age, he started to focus on professional photography carrying out several reportage projects on social and international issues working with some of the world’s most important magazines such as Time, Newsweek, Life, Stern, Panorama, Sette, Espresso and others. In 1981 he published his first book, Augusto e gli altri (Mazzotta) dedicated to children with disabilities. Since 1984 and until the coup of 1991, he monitored the development of events in the Soviet Union, from Gorbachev’s rise to power to the collapse of the Communist regime. His work won the Kodak award in 1988 and was included in the book Istanti di Russia (Peliti, 1990) accompanied by a travelling exhibition. In 1991, with Gianni Berengo Gardin and Ferdinando Scianna he published In treno attraverso l'Italia (Peliti), in 1992 he co-wrote Exit with Enrico Bossan (Peliti). A work of some years on the Giro d'Italia was published by the Italian and international press and included in the book In Giro, (Contrasto, 1996), in 1998 he published Album. Fotografie dall'Italia (Contrasto). His photos were published in a portfolio on the top international magazines and were exhibited in several individual and collective exhibitions in various Italian and foreign museums. Many times member of the international panel of the World Press Photo and of the board of the Henri Cartier-Bresson award. In 1994 he founded the publishing house Contrasto and over the years, both in Italy and abroad, he has produced many important exhibitions on authors such as Henri Cartier-Bresson, Sebastião Salgado, Richard Avedon, James Nachtwey, Gianni Berengo Gardin, William Klein, Josef Koudelka, David Goldblatt, Ferdinando Scianna, Mimmo Jodice and many more. He edited the book Fotobox, which reached international success with over 100,000 copies sold worldwide, and the huge volume I of the series Grandi Fotografi, with monographs about twenty of the most important world photographers, published in five languages. Currently he is president of Fondazione Forma per la Fotografia in Milan, the most prestigious institution for communicating Photography in our country, with over 100 exhibitions set up in Italy and abroad.
Erminio Annunzi
Photographer
With over thirty years of experience in photography, he gained a deep and complex experience in shooting and printing: his photographic studios, at the FotoTecknichum Schule of Agfa Gevaert in Munich allowed him to gain a deep technical/artistic knowledge in the fields of art and photography. After that he started important collaborations with photojournalism agencies like Daily for Press and AP focusing on sports, news and nature. Later, he published on magazines about nature, on national newspapers and collaborated with Agfa Gevaert also as head of the photographic gallery of the same name. In the last few years he has shifted his attention to the natural landscape, proposing an artistic interpretation of places. He has also been teaching photography for many years. Among his collaborations are: Toscana Photographic Workshop, Scuola di Contrasto, Spazio Forma, NABA, Canon Academy and Istituto Italiano di Fotografia. He exhibited his works in Italy and abroad: Arles (collective), Mois de la photography in Grenoble and Festival of European Photography in Busto Arsizio.
Gianluca Ferrauto
Coach
His professional career has given him the chance to gain experience in different fields: from communication to financing service. He has successfully developed a new business and at the same time renewed new commercial networks and company organizations. He has a peculiar attitude towards strategic thinking, from team work to talent honing and management. As a Coach Manager, he is truly a remarkable specialist of relationships for the development and acquisition of fundamental self-awareness. He has had numerous managerial roles in important Italian and international companies ranging from Commercial Manager in Mondadori Advertising to General Manager in Cemit Interactive Media, and he has been the General Manager in Condé Nast. After a few years in consulting, he came back to the company field as a Managing Director and as CEO of Cerved's Finservice Group.
Ferdinando Scianna
Photographer
Born in Bagheria, in Sicily, in 1943, Ferdinando Scianna enrolled in Literature and Philosophy at the University of Palermo, but did not complete his studies there. In 1963, he met Leonardo Sciascia, with whom, at the age of 21, he published the first of numerous books that they then wrote together, Feste religiose in Sicilia (Religious Festivals in Sicily), which won the Nadar Prize. He then moved to Milan, where in 1967 he started worked for the weekly magazine L’Europeo as a photoreporter, special correspondent and then regular correspondent in Paris, where he lived for ten years. Introduced by Henri Cartier-Bresson, he joined the Magnum agency in 1982. Since 1987, he has been alternating reportage with fashion and advertising photography, areas where he has gained international success. His most important books include I Siciliani (Paris, 1977), Kami (Milan, 1988), Le forme del Caos (Udine, 1988), Leonardo Sciascia (Milan, 1989), Marpessa (Milan, 1993), Altrove, reportage di moda (Milan, 1995), Viaggio a Lourdes (Milan, 1996) and Dormire, forse sognare (Udine, 1997).
Giovanni Gastel
Photographer
Born in Milan in 1955 to Giuseppe Gastel and his wife Ida Visconti di Modrone, Giovanni Gastel is the youngest of seven children. In the seventies, he started a long period of apprenticeship, taking wedding photos, portraits and still life shots. His first important break came in 1975, when he started working with the auction house Christie’s, but the real change came in 1981, when his future agent Carla Ghiglieri introduced him to the fashion scene and he started working with Vogue Italia, Mondo Uomo and Donna magazines. Since then, he has worked with many of the world’s most prestigious fashion publications, both in Italy and abroad, especially in Paris. From 1996 to 1998, he was President of the Italian Association of Professional Photographers, which he now serves at as Honorary President. It was in 1997 that he achieved the pinnacle of artistic recognition, when the Milan Triennale organised a one-man show of his works curated by Germano Celant, featuring around 200 photographs, evidence of a long and prolific career. In 2002, in the framework of the event La Kore Oscar della Moda (Fashion Oscars), he was awarded the Oscar for Photography.

Companies & Brands

In nearly thirty years of work, the Raffles Group has built up a substantial network of partners that participate in our three-year and Masters courses. These firms’ reputations and the quality of the relationships e have developed with them are a guarantee of a decidedly fertile meeting between education and business.

Adidas, Aigner, B&O – Bang & Olufsen, Boucheron, Brother, Bulgari, Burberry, C&A, Cartier, Chanel, Chloé, Design Business Chamber Singapore, Diesel, Dior, Dolce & Gabbana, Dunhill, Elle, Fendi, Fujifilm, Furniture Design Award Singapore, Giorgio Armani, H&M, Heinz, Hermes, Hogan, HP Technology, HSBC – Hong Kong and Shanghai Banking Corporation, IKEA, InterContinental Hotels & Resorts, Kohler, Lear Corporation, Lego, Li & Fung, L’Oréal, Louis Vuitton, LVMH, Mahogany, Max Mara, MediaCorp, Metro, Michael Kors, Microsoft, Nippon Paint, Nokia, Orchard Road Business Association, Pepsi, Philips, Prada, Puma, Ralph Lauren, Redworks, Richemont, Richmond, Rolex, Saatchi & Saatchi, Saint Laurent Paris, Samsung, Shiseido, Siemens, Singapore Furniture Industries Council, Singapore Jewellers Association, Sony Pictures, Standard Chartered, Textile & Fashion Federation, Tiffany & Co., Valentino, Versace, Y&R, Yves Saint Laurent.

Monday talk

Every Monday evening at 6.30 p.m., Raffles Milano invites its students to meet one of the major personalities who walk the stage of design, style and design culture. Hearing the stories and ideas that influence the market and drive our mindset – straight from the horse’s mouth – is an amazing opportunity that adds substance to our academic programmes. Here is the agenda of meetings for the coming year.

Admissions

Applications can be sent by the “Admission Form” below or made by phone by calling the Secretariat directly. When we receive the required documentation and a motivational letter written by the Candidate, the Management will set the date for an introductory interview with the Course Leader or with the College Director if necessary. If their profile is considered suitable, candidates will receive official notice regarding the acceptance of their application, which in any case is non-binding for the Candidate.

Application documents:
– curriculum vitae
– artistic and/or professional portfolio
– motivation letter
– school transcript
– course or workshop certificates
– English proficiency level
– passport or identity card for Italian or EU-EFTA citizens
– payment receipt of the €100.00 Application fee.

Candidates can also send the application documents to the e-mail address: master@rm-modaedesign.it

For further information, please fill in the “Information Form”.

Fees

Following the Management’s official notice concerning the Candidate’s admissibility, the latter may proceed to the enrolment stage. All students who fulfil the requirements must pay the enrolment fee when they formalize their enrolment, which must then be integrated by the yearly
tuition fee before the beginning of the course.

The amount of the tuition fee can be paid in one single instalment or in two further instalments after the enrolment fee: the second instalment must be paid before the beginning of the First Semester, and the third instalment before the beginning of the Second Semester.

Only one payment option is available to international students, which is one single payment upon enrolment.

European Union and EFTA students
Enrolment fee: 3.000 euros
Tuition fee: 12.000 euros

Non-European Union and Non-EFTA students
Enrolment fee: 3.000 euros
Tuition fee: 16.000 euros

Application fee
Candidates who want to apply for admission to our Masters must pay an application fee of 100 euro.

Scholarships

RM provides a number of international scholarships each academic year.

This helps Italian and international talents to access the course.

The Scholarships are announced on the institutional site of RM at least 6 months in advance of the activation of the Masters of November and February.

Information request
Admission form